we were fresh forms . forms a field of reason . field of reason conquered space . space liberated energy . energy liberated imaginary radiation . radiating wider world of social sensation
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to expand flexi-verse
truths = fictions
organise collaboration
acknowledge relationship fabric
perform
in the hope
we have named
…language is an important tool.
It serves
for experiences that one has not yet had.
simultaneously :
relation. /
we stand
we long
attraction is an invitation
much prettier than you thought
The mind organises [the] world by organising itself
The cognitive organism shapes and coordinates its experience and, in doing so, transforms it into a structured world.
/ In the beginning was the word. / an art / In the way of Performer – / In the beginning of what exactly? / other / he perceives essence
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By creative process, I mean any human work of endeavour that produces a result. This therefore includes not only any artistic process but any one of making objects, relations, communities or groups, or seeks to produce any identifiable outcome eg event, space, performance, social situation. .. Any such work, which I believe includes most organised human cooperative activity, can be understood to be able to be fulfilling, creative, empowering, and can model ideal relations between participants.
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Choreonauts are bodies moving in time and space, witnessing, framing, interfering with and negotiating dynamic constellations of which they themselves are also a part, even if only by virtue of their role as observers. Choreonauts rely on creative intuition to dissolve dualities of subject and object, and resolve multiply-framed partial images of a systemic whole (which is unknowable by we subjects) into working hypotheses we may call choreographies of thought or action.
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[civic] immune system: “*a self-referential, positive assertion of a coherent unity*”.
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(world body) → dance ritual → (ecstacy / performance) → shamanism → theatre → (representation / rhetoric) → political stage → (body politic) → psychodrama → →→→ distributed shamanism → a new stage → (infra~conscious) → self-representation ie performance*
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ideas eddy …. connections ripple across mind …. then calm clear cool calculation …. here in pure silence, primordial soup of creation, reality is born, before umwelt crystallises …. external world a riot of sense impressions, beautiful a-human music . and then organising function of WORD coaxes significance into solid form
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swarm is a dynamic phenomenon,
always exists in time
and, as such, is always acting,
interacting,
interrelating,
and self-transforming:
I devised this unique ‘check-in’ choreography as part of a project with some people who wanted to work together creatively. I encouraged them to model their self-organisation on swarm
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for man to survive now,
his perception must change
at its social base
[:]
i am saying
this is first a world of energy,
then a world of objects.
Science fictioneers uncover gemstone artefacts of what-yet-may-happen, arranging their finds in reverse rehearsed archaeologies. Applied science fiction performs those possibilities of making perceptual sense of now through lenses of a future, radically reorganizing reality to see not culminating patterns of history but sproutings of new emergent phenomena.
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what holds true of love and work is idealistic spontaneous action. self realization can be achieved by pleasure or participation, free and yet not alone, critical and yet not filled with enslavement by very products of man’s hand, independent and yet an integral part of you-mankind.
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Yes, continuous present, secret of eternal life, now here, because now never ends.
Yes-sound echoing through limitless space of imagination now-time, this-moment, here-being.
The great revolutions in human society are changes in the form of symbolic representation; reorganisation of the theatre, of the stage for human action
[So I scriptsculpt my livelovelife poem, inhabit it, live through its shape, sing those lines, try it for size and rhyme. I push probe test adapt my model until it breaks.]
In authorising the authorities we are their authors.
Our hero alternately speaks from within and without his [frame: speaker|teacher|author|knowledge bearer], drawing attention to it/them [frames] by rattling them
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A work in progress, imagineering ideas for a book of recipes for producing certain kinds of ideas/thoughts/frames of mind: transferring techniques from performance to reality; applied science-fiction; poetics of living; art of dreaming; anticipated configurations of mind and its networks; distribution of non-interference; wild ideas applied to reality.
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